Showing posts with label Joseph Mankiewicz. Show all posts
Showing posts with label Joseph Mankiewicz. Show all posts

Thursday, September 1, 2011

Holy Jumping Jehosophat! (Woman Of The Year (1942)

It seems that I am posting so much Hepburn/Tracy at the moment! I think they just might happen to be my summer holiday obsession. Oh yes. There is always one each summer. We usually order a few great movies from Amazon (the only place you can get the slightly rarer ones) to last us the summer and last year they were mainly Ingrid Bergman ones, and this year came the Katharine Hepburn and Spencer Tracy set *swoon*. It was the first film they ever made together, I actually think, though, that Woman Of The Year might be my favourite one so far! But I love them all :-)



Woman Of The Year (1942) directed by George Stevens written by Michael Kanin (with assistance from his brother, Garson)




Cast:


Plot:
Tess Harding is a well educated and strong minded columnist of political affairs for the same newspaper as Sam Craig, a quick witted and clever sports columnist. He first hears her on a radio show talking about how it seems like baseball is a waste of energy for American people. You know. Just running around in a square and that kind of thing. Enraged at her attitude to his favourite sport he starts a column fight against her, which she manages to fight back at just a well as he started. When they are called up to the editor's room to try and sort out the disagreement, they both know that there is an undeniable chemistry between the two of them.

Afterwards, Sam asks Tess if she's free to go and see a baseball game with him and after sifting through her busy schedule, they fix a date. Though initially perplexed by the game and it's rules, she gets the hang of it and even manages to make friends with the grumpy man behind her.


They meet another few times and he finally brings up the courage to ask her to marry him. Of course she says yes and they marry the very next day. At the wedding though, Sam gets his first taste of what it's like to be part of Tess's family. Tess's aunt and father both really like Sam and he likes them too, but they are both so busy that they have to run off somewhere straight after the ceremony :-(


Just as they are both getting ready for their wedding night - alone - a Eastern European politician friend of Tess, who has escaped from a concentration camp, enters their apartment with two body guards and a party of around 10 people. Naturally Sam is very upset (plus he can't speak Slovenian or whatever the language is) so he calls over his friends, but when one of them is told by Tess and Sam that it is their wedding night, she manages to take the whole group over to her place to party!


But this isn't the first awkward situation that Tess's work puts her in. Quite soon after the wedding they start to feel a strange new tension between them. When Tess asks Sam if he thinks it's because they need a child and tells him that it has already been done, he naturally thinks she is pregnant. But she walks in with a Greek refugee adopted child named Chris, who, of course doesn't speak any English (to Sam's delight... Not). And to top it all off, when she goes to accept The Woman Of The Year award she intends to leave Chris all alone for the evening in their apartment. But Sam insists that he will stay with Chris until he falls asleep. This aggravates Tess and she leaves without him. While she is at the ceremony, Sam packs up all his and Chris's clothes and takes him back to the refugee orphanage because he doesn't think that their home is right for him.


Sam feels low and unimportant and Tess is very upset about the way that Chris insulted her in Greek when she went to try and get him back and find Sam. But really, they both do love each other. Will they be able to get over their differences and get back together again?



The Verdict:


Woman Of The Year wasn't as light or fluffy as the other films I've seen Spencer Tracy and Katharine Hepburn in (Guess Who's Coming To Dinner doesn't count. For one thing it's much later and for another Katharine Hepburn is crying all the way through because she knows that Spencer Tracy is dying and it is simply too much to bear without crying like crazy yourself), but I think that might just be why I love it so much :-)


It is certainly the most romantic of the films of theirs I've seen, but it's still really funny. George Stevens is really pretty high up on my favourite ever directors list, you know. He, Billy Wilder, William Wyler, George Cukor and Alfred Hitchcock pretty much make up the list. Two of my very favourites have been directed by him, The Talk of The Town and Shane. This one was just as good as the aforementioned favourites.


Spencer Tracy really gets to show off his more dramatic side as well as his comedic one in Woman Of The Year. He's so funny in the scene where he accidentally walks onstage during one of Katharine Hepburn's speeches and she just says "Take a seat," because she is of course Kate the unflappable Hepburn. And he proceeds to spill his cigarettes all over the stage and get caught in women's fringe dresses. It is honestly so funny. Plus he does a little curtsy thing at the end when they all leave.

He was also heartbreaking in his scenes with Chris, their adopted Greek refugee. Especially when he has to take him back to the refugee centre :'-S.

You do have to accept the fact that the film is a little unfair to women for the first 3/4. The basic moral being that Tess shouldn't lead her complete jet-setting career fighting for equal rights and her beliefs. It seems through the last part of the film that she is going to have to give her career up fully to patch things up with Sam, but in the end, it's OK because we all realize that he is feeling shut out because of her importance. So they compromise and it works out fine. Do you really think that a Katharine Hepburn film would end with her character being degraded as a woman? Never! Part of the reason all her roles are so amazing is that they are really strong and independent women (just watch Adam's Rib, Pat and Mike and The Lion In Winter all in one go and you'll see what I mean).


Katharine Hepburn is amazing again. She takes the character of Tess and makes her a bit warmer than she might appear to be in the script alone. I think she does a completely fantastic job and completely equals Spencer Tracy's performance and more even sometimes. One of my favourite scenes is when she is hearing her Aunt and Father exchanging vows and she realizes that she didn't listen properly the first when she got married, and needs to go back to Sam. All this is done with her face and mainly eyes alone and no dialogue and you still get exactly what she's thinking.


{SPOILER! Because I am just so clever and chose the final scene as my favourite. I couldn't find the video anywhere so you just get my commentary :-D}


My absolute favourite scene though, is where Katharine Hepburn comes into Spencer Tracy's new apartment and starts to cook him breakfast while he is still asleep. She - as you can imagine - hasn't had much experience as a cook, so she just sets down a full pot of coffee on the stove and leaves it there for ages. In the process of lighting the stove, she manages to make crazily loud noises with the stove cover and set an alarm off. And Spencer Tracy sleeps through all of it. Wow. Once that's done she goes to find a recipe for waffles. But when she goes to get the ingredients from the fridge the fridge door blows the page of the recipe over, and gazing at it for the next ingredient (of course it's the wrong recipe) reaches for the yeast. She pours the mix into the waffle maker.


Finally Sam wakes up and after they have a mini face off.  He goes into the kitchen to watch her cook. In this space of about five minutes, she attempts to separate the whites and the yolks of three eggs using a sieve, the waffle inflates like a balloon, toast flies everywhere and the coffee pot explodes.

As soon as the film finished I said, "Mum... I really think I'd better start learning more recipes. I don't want to wind up putting yeast into my waffle mix. It wouldn't be so great!" I mean, I wouldn't want to be alone in a room with a breathing waffle mix. Would you?

I know that Katharine Hepburn was nominated for the Best Actress academy award and quite right, too, but I felt like Spencer Tracy deserved a nomination too, since he was so good.

The general consensus was that we loved the film and thought it was great. It just might have to go up there as the best film of theirs I've seen (possibly tied with Pat and Mike?).

~Bette

P.S. We also get to hear Kate speaking Spanish.
P.P.S. And Russian.
P.P.P.S. And Greek.
P.P.P.P.S. And Italian.
P.P.P.P.P.S. And Slovenian

Now a real P.S. None of these photos are mine. By and large they were found on Tumblr and websites of the like. I am not crazy about linking back to Tumblr as the content can be unreliable, but if one of these photos belong to you and your blog is clean, then by all means comment a link and I'll post it :-)

Sunday, October 17, 2010

It's Like Waves Of Love Coming Over The Footlights...

So far, this is only my second post fully dedicated to All About Eve, which is surprising because it is my favourite film, and is definitely the one I know most about. Thanks to Sam Staggs' book All About "All About Eve" (which I have read many times), I know all about its psychological meanings, on set romances, rivalries and bitchy remarks. Astonishingly, after reading all about the film's chaotic filming schedule and all of the nasty comments that Bette Davis made to Celeste Holm, I don't start to hate the film or its stars, I love them more. Ok. So this post I am going to dedicate to Bette Davis' off screen relationships with her cast and crew. But before I do, here is a clip from one of the most famous scenes from Eve to give yo a feel of it if you haven't seen it before, and remind you if you have.



Cast:

Bette Davis and Celest Holm:

Bette Davis and Celest Holm didn't get on. From the first morning on set when Celest Holm greeted Bette with a "Good morning!" And Bette, cuddled up with Gary, (see Bette Davis and Gary Merrill) said "Oh sh*t. Good manners." Obviously, this was not the most charming response to such a remark, but you have to understand Bette's situation. She had an abusive husband that she was in the middle of a sticky divorce with, a boyfriend that had a Doris Day look-alike wife and a career stuck in the doldrums. If I was in that situation and Celest Holm (who irritates me so much that no words can describe) came up to me in her angelic way and said "Good morning!", I probably would not have been completely thrilled. When they were filming the scene in "The Cub Room", there was a lull in the filming process and to fill the silence Celeste said "Did you know that when the man who manufactures Pyrex, found out that people where using those Pyrex kettles to make martinis in, he stopped making them?" Gary Merrill and Hugh Marlow chuckled lightly. Bette waited for the laughter to stop. She then looked from Hugh to Gary, then lowered her eyes for effect and drawled "Really I don't know how I could have lived This long without knowing that."


Bette Davis and Anne Baxter:

Bette Davis and Anne Baxter had a wonderful relationship, despite the fact that they were playing arch Nemesis's in the film. In the late 1970s while towling herself dry at Anne's house, Bette discovered a lump in her breast. Anne Baxter was one of Bette's few close friends outside of her family along with Olivia De Havvilland, and Mary Astor.


Bette Davis and Edith Head:

Edith Head designed Bette's wardrobe for the film, but no one Else's. They had a very good working relationship, and one of my favourite costume-department behind the scenes anecdote shows Bette's thoughtfulness and sweetness that Sam Staggs was keen to hide in his book.

Bette Davis looked at herself quizzically in the mirror as she modeled her dress for the all important cocktail party scene (clip above). The scene was due to be shot in about ten minutes time. Someone had measured the top half of the dress all wrong, and from the waist up, the dress just flopped around helplessly about Bette's shoulders. Edith was devastated. "Don't worry, as costume designer, I'll take all the credit for the fiasco." Edith steadied herself and headed for the door, when Bette exclaimed "WAIT! Turn around and look, Edith." She had slipped the dress off her shoulders and the dress hung beautifully. It was a perfect fit. Edith hugged her and started to stitch it into place.


Bette Davis and Gary Merrill:
Bette Davis and Gary Merrill fell in love at the moment they met. From then on it was Bette and Gary against the world. Or the rest of the cast and crew, anyway. Although it was her longest marraige at ten years, it turned nasty towards the end. After they adopted two children, Micheal and Margot Merrill, and Gary adopted B.D. Davis, he started to turn alcoholic and Bette filed for divorce. Margot was disabled and is still institutionalized to his very day.


Bette Davis and Joseph L. Mankeiwicz:


Joseph M. whith Katharine Hepburn on the set of Suddenly Last Summer
They had a pretty stable working experience and had lots of good ideas together. When Bette downs her martini, heads for the staircase and waits before speaking the immortal line, "Fasten your seatbelts. It's going to be a bumpy night!", she said it was to "show the audience that she was collecting more venom." Well, whether it was for that purpose or just for emphasis, it was all her idea. After her stroke of genius they had a conversation that went like this:


Joseph M: I'm still waiting for you to start directing the picture. Eddie Goulding (Bette's director in lots of her films) thinks your a "hideous creature."
Bette D: (Deep laugh. Tosses head back.) Mr. Goulding is a genius movie maker. But he also liked to act. He would act out your part for you. And I was difficult because we disagreed on almost everything. 90% of the time I thought that the way I was portraying the woman I was playing, was better than the way he was.

I hope you enjoyed my War And Peace post,
~Bette

Friday, October 15, 2010

Another Day, Another Movie

I have just read the funniest news story that I have ever read in my entire life. Here is a link to the story. Basically a woman dressed up as a tomato to boost healthy eating (or something) at a local council garden party, and the mayor walked along, thought "hmmm that tomato looks like a good thing to leapfrog over!" and whilst trying to jump over her, his knee caught her head and she suffered a slipped disc. She was given £24,000 as compensation!
Moral of the story: never dress up as a tomato for a council garden party. The mayor just might break your neck. Not that anyone will be doing that anytime soon. I hope. It reminded me of the conversation from Tootsie where Micheal Dorsey (Dustin Hoffman) is begging his agent (Sydney Pollack) to get him a part in something, and his agent accuses him of being unreasonable. The conversation goes like this.

Agent: "I can't even put you up for a commercial! You played a Tomato for 30 seconds and they went a half a day over 'cause you wouldn't sit down!"
Micheal Dorsey: "Yes. It wasn't logical."
Agent: "YOU WERE A TOMATO! A TOMATO DOESN'T HAVE LOGIC! A TOMATO CAN"T MOVE!"
Micheal Dorsey: "That's what I said! How am I supposed to sit down! I was a juicy sexy beef stake tomato! I was the best eggplant, the best cucumber. I did a Waldorf salad that knocked the critics on their ass!"
Agent:"Micheal, I'm trying to stay calm here. You-you are... a wonderful actor."
Micheal Dorsey:"Thank You."
 Agent: "But you're too much trouble. Get some therapy."
Sydney Pollack and Dustin Hoffman dressed as a woman

One of the funniest movies ever made. I laugh just thinking about it. Dustin Hoffman dresses up as a woman to get a job as a hospital administrator in a hospital soap opera, and ends up falling for the woman who plays the nurse (Jessica Lang).

Here is today's review.

A Letter To Three Wives

Cast:
Plot:
Three typical American suburban housewives receive a letter addressed to the three of them from their "best friend" Addie Ross (Celest Holm voice-over, surprisingly, uncredited), saying that she has left town with one of their husbands, but doesn't say which one. The first wife, Deborah Bishop (Jeanne Crain) reacts with instant suspicion as we see her flashback. It shows her and her husband first meeting his friends Rita (Ann Sothern) and George Phipps (Kirk Douglas) and Lora Mea (Linda Darnell) and Brad Hollingsway (Jeffrey Lynn). They all make subtle references to Addie's "class", but no one says anything that might overtly lead to suspicion of an affair. The same thing happens to both other wives, but each husband has their own link to Addie.


The Review:
The DVD cover says "three very different marriages. One of convenience, one stable, and one filled with lies and suspicion," And it's dang right. Never have I seen such different marriages! My favourite wife is by far Ann Sothern, who vaguely reminds me of Agnes Moorhead. All the other actors (if anyone can tell who they are!) are very good. I love Kirk Douglas ("I am Spartacus!").
The film was directed and written by Joseph L. Mankiewicz and he won both of those Oscars that year. On the set of All About Eve he was waiting around for some rain to come so that Celest Holm could do her scene where she meets Eve: but it didn't come. So they set up some hoses, and got ready to start filming. Sat on a ladder, he called out "Ok, lets have the rain!" But before the prop men could turn on the hoses, clouds moved in and it started to rain. Ann Baxter (Eve Harrington, the villain of the story) said to Bette Davis (Margo Channing, the "hero" of the story)  "Even god has heard of Joe's two Oscars."

Here is a picture of Ann Sothern that is so far away from her in A Letter To Three Wives, that I found it quite strange.
~Bette