Showing posts with label Julie Andrews. Show all posts
Showing posts with label Julie Andrews. Show all posts

Saturday, April 23, 2011

Torn Curtain (1966)

As I posted the other day, this is one of the many new films I watched while on holiday in Greece over the first week of my Easter break. I really enjoyed it, and just wanted to share a little about it as I know it is one of Hitchcock's lesser known films. This is a very complicated science-cold-war-espionage film so the plot summary is War and Peace length. Sorry!


{Many of the pictures in this post were found by chance, using google images, on Clara's blog, Via Margutta 51}


Torn Curtain Dir. Alfred Hitchcock




"IT TEARS YOU APART WITH SUSPENSE!" Gotta love vintage movie posters.
Cast:

Plot:
American physicist and rocket scientist, Michael Armstrong is on a cruise ship with his fiance and assistant, Sarah Sherman, attending a conference of physics. The couple seem perfectly happy for the first few days of the cruise, taking time out from the busy schedule to spend time together and enjoying the journey (before they are married, evidently the movie censorship was kind of non-existent by this point). But Michael Armstrong is corresponding secretly with the CIA about ordering and picking up a particular book in a shop once the ship docks at Copenhagen, Denmark. Sarah finds out once they are there and goes to pick up the book before he can stop her.




She starts to become suspicious about Michael's goings on and decides to try and find out what he is doing. She becomes even more disconcerted and upset when he tells her that he has to suddenly leave to fly to "Stockholm" and she definitely can't go with him. In an attempt to follow him, she asks the man at the desk at the hotel for a ticket on the same flight as Dr. Armstrong but he says that Armstrong's ticket is to East Berlin (on other side of the Iron Curtain). She follows him just the same, only to be discovered by him on the plane. Angry that she has followed him, Michael goes about his work. His anti-missile project was cancelled by Washington, so he has decided to offer his services to the East German government. But again, it is soon apparent that this is just a ruse for Armstrong to find out what the East German scientists know about anti-missile systems, and Michael is working with the CIA, and embarking upon a very dangerous mission as a double agent. But Michael's escort, Hermann Gromek quickly catches on to his plan while Michael is visiting a fellow agent in a farm in the country. Michael and the East German agent that he has gone to meet decide it is out of the question for Gromek to call the police so they murder him and bury him and his motorbike in the field.


Sarah is now furious with Michael for being so frosty and cruel to her, but Michael knows it's for her own good. He wants her to leave as soon as possible because he is afraid she will never see her family or friends again if she becomes too involved.


"We have strange ways of communication in this trade." Dr. Koska on bruising Michael's ribs to get him to see her about the murder.


When michael gets around to visiting the university he is under suspicion of murder and he and Sarah - who still knows nothing of his secret agent-ness - are both questioned. He asks for some time alone with her and he tells Sarah everything. Along with the university doctor, Dr. Koska (also an agent) Sarah decides they must leave the country. They wait for Michael to come and catch the special bus for smuggling agents over the border between East and West Germany, but he is still with Professor Gustav Lindt, the government's top scientist to try and find out if he has any important information. But while he is in the Professor's office, a loudspeaker tells the whole university that they should look for Dr. Michael Armstrong. Lindt then realizes that Michael has told him nothing, and that he has been stealing his ideas. Michael makes a run for it, getting to the bus just in time.




There follows a very suspenseful scene as the fake bus for helping agents get to the other side of the border is nearly caught up with by the regular bus. The police eventually catch up with them, but Michael and Sarah manage to escape just in time. They are about to start their journey to a post office to a man who will help them get back to America when they bump into extravagant and ditsy woman, Countess Kuchinska, who needs sponsors to get her toAmerica. After much persuasion, they give in to sponsoring her, but they are endangering their lives every second they waste in the country and...




I can't tell you anymore because it will spoil it for you! (if I haven't done so already by writing everything in that summary :-S)


Review:
Julie Andrews, Alfred Hitchcock and Paul Newman celebrating with Hitchcock.


I really liked this film and it deserves so much more credit than it gets at the moment. The chemistry between Julie Andrews and Paul Newman was good, I thought. And now, I am completely obsessed with Paul Newman. My to see list is full of movies like Cat On A Hot Tin Roof and Cool Hand Luke. He is really great in this and Butch Cassidy And the Sundance Kid. And can I just say, his blue eyes... Everyone is always saying that Julie Andrews can't act (even she said that she didn't think she was a natural actress in her autobiography, "Home"), but I think she is more than good enough to tackle a role like this. I know that Hitchcock had his heart set on Eve Marie Saint and Cary Grant for the pair, but I think the film would have been turned into a Cary grant farce (even though imagining it it would have been funny) and not a serious spy picture.


Directing Julie Andrews


And there are holes in the plot.. It's like, if you were an agent, even a new one, you wouldn't carve a giveaway sign to all your identities deep in  a driveway and not cover it up.  If he had, there might not have been any need for the difficult business of killing Gromek in such a gruesome way. (Although the murder scene was very well choreographed.) The other Hitchcock I watched on holiday was Strangers on A Train which was more tightly constructed than this, but that didn't mean this was less enjoyable




Also, Hitchcock has the best cameo in this movie of any of them. He is sat in the lobby at the hotel in Copenhagen with Julie Andrews' daughter Emma on his lap. This film also was the end of the Hitchcock /Bernard Hermann partnership. Sad.


One of my favourite characters and performances was that of Lila Kedrova, a great favourite of my Grandma's who gave an amazing performance as Countess Kuchinska.




But I really enjoyed this film, and I would advise you not to be put off by it's unknown and unappreciated history.


At a press conference for the film.


~Bette
P.S. You can check out Clara's amazing post about this film that she did for the Classic Movie Blog Association's Alfred Hitchcock Blogathon here. She is obviously a fellow Paul Newman fan :-)

Wednesday, February 23, 2011

Everything Today Is Thoroughly Modern

I watched The Sound of Music (1964) on sunday and wanted to post a little about it, but I think I'm going to spend some time writing some good posts about it because it really does deserve more than one. I can surely find some good anecdotes too ;-). So, today I am still reviewing a Julie Andrews movie, Thoroughly Modern Millie (1967). Because It's a rainy day, I love the 20s, and this film is inexplicably awesome.


Thoroughly Modern Millie
Cast:


Plot:


It's New York in 1922 and young girl, Millie Dillmount is living in Mrs. Meers' "Pricilla Hotel (for single young ladies)" and looking for work as a stenographer. her plans for the future are quite simple: get a job as a stenographer  to a rich man, marry said rich man and live happily ever after. Millie bumps into the delicate and wealthy Dorothy Brown who insists on being called Ms. Dorothy and paying for even the smallest of amounts of money with a checkbook. They become very good friends. Dorothy checks into the Pricilla hotel and is given the room number of one of Millie's friends and is informed that she went back to her hometown insisting she was "just a restless girl." When Mrs. Meers learns that Dorothy is an orphan she says "Sad to be all alone in the world." While all this is going on, Mrs. Meers is kidnapping her guests and selling them into white slavery, so orphans are a main target.
At a hotel dance Millie meets lively "paperclip business man", Jimmy Smith. He takes her around town driving on the wrong side of the road in his boss's red Roadster. He also takes her and Ms. Dorothy to his benefactress's mansion on Long island. Mrs. Van Hossmere, or as she is known, Muzzy is quite the hostess, with a fountain of gin and a performance of "Little Jazz Baby". Millie starts to realize that she loves Jimmy, and not her boss Trevor Graydon, but is convinced that he loves Ms. Dorothy when he sees them running in and out of each other's guest rooms.

Now back in New York Millie interrogates Dorothy about the weekend but she says she is just upset about her career in the theatre which never really took off. (Meanwhile, Mrs. Meers is taking every chance to kidnap Dorothy.)

~~~This is a very long film, so here follows the rest of the plot in note form~~~

  • Dorothy falls in love with Trevor Graydon and Millie falls for Jimmy
  • Millie throws a cigarette into a fireworks factory where they are keeping the girls and while the whole thing is blowing up, she goes in to find Dorothy and Jimmy (dressed as a girl) who have by now been kidnapped.
  • Mrs. Meers and Millie get involved in a car chase, with Mrs. Meers screaming all the while "SHOO SHOW!!! SHOO SHOW!!!"
  • Muzzy uses her Spanish rope tricks to catch Mrs. Meers and push her into a pond where she exclaims "Oh POOK!!! Sad to be all alone in the world *achoo*."

Review: 
Despite the fact that there is a randomly placed Jewish Wedding scene in the middle of the film (with Julie Andrews singing in Yiddish), this film is just great. "Oh Pook" is now a common phrase in my family and we all use Muzzy's catchphrase, "RAZBERRIES!!!!!"

George Roy Hill directed this and he did a great job. He must have been so versatile, he also directed Butch Cassidy And The Sundance Kid. Julie Andrews is just amazingly cute, and so is Mary tyler Moore, but the show is definitely stolen by Carol Channing as Muzzy.

She is so energetic that you get tired just watching her. And then she got shot out of a cannon and tossed around by some russian (or something like that?!) acrobats... So cool.
Oh help.
I just love everything, and James Fox's American accent is great! You'd never guess he's British.
I was just sitting and watching it and suddenly they started doing Jewish wedding dances and singing in Yiddish I was just like...

Really good musical.

~Bette

Tuesday, February 8, 2011

Home: By Julie Andrews

I have to say I absolutely loved "Home". It was the first autobiography I read and it has probably got me unhealthily hooked. I am now nearly finished with "The Lonely life" by the one and only Bette Davis, who sounds like my kind of person. She finishes every other sentence with an exclamation mark, and writes "Ha!" lots. She also dedicated a chapter of about four pages to putting down Hollywood leading men.

I really liked Julie andrews before I read this book, but after reading it you can really tell what a sweet person she is. It made me so upset when her husband Blake Edwards died in December. It says on the cover sleeve that she is now "happily married with her director husband of 38 (I think) years, Blake Edwards". She had a tough upbringing. Born in 1935, she was around just in time to have to be evacuated for most of the war. She was born to a pianist and a teacher (wait for the serious surprise). Always very close to her father, she would dance around the garden withe him telling her about all sorts of bugs and creepy crawlies. He read poetry and he was lovely to her mother and little brother. Her mother repaid him by having an affair and becoming pregnant with tenor Ted Andrews. Julie's mother moved away with Ted to London to better their careers. It was while singing in their act that Julie was discovered and put in her first variety show, "Starlight Roof". She excelled as "The prodigy in pigtails who hit an F above high C at age 12!" She became the youngest performer to lead the Royal Variety show finale, and played many principle girl parts in countless pantomimes.
Julie, her mother and her step-father
At age fourteen, she was taken by her mother (still married to her now alcoholic step-father) to a man's house for dinner. She sang for him and his guests and at the end of the evening it was clear that her mother was not fit to drive. In the car on the way home, her mother said that she had something very serious to tell her. The man that she had known as her father all her life was not her actual father. The host of the party was. Her father had known all about it, but agreed to take the girl and her mother back. This, understandably must have scarred her for life. She never got to know her father. She didn't want to, and she didn't have to. She knew all she wanted to about him.

At age 18 she was approached about starring in the Broadway production of West End hit, "The Boyfriend". She was overwhelmed, but also quite nervous about leaving her unstable family. She did it none the less. Her family needed supporting and her parents were getting no work in their advancing state of alcoholism. She moved to New York and was a great success in "The Boyfriend." So much so that she was offered the main part in the new musical of Pygmalion, "My Fair lady". this lead her to even greater things, like a part in "Camelot", with Richard Burton.
She was by then married to her long term beau, the set designer Tony Walton. She had her first child with him, Emma. She was also offered the part of Mary Poppins around the same time, and the rest, as they say, is history.

This book was only the first part of her memoirs, and she has yet to publish the second half. HURRY UP JULIE!!! I NEED MORE INFO ON THOROUGHLY MODERN MILLIE AND STAR!!!!!! I just adored it. There were some slightly slow sections but it didn't bother me. She wrote it really well, and you really sympathise with her and her troubles. Yay for Julie Andrews!

~Bette