Showing posts with label William Wyler. Show all posts
Showing posts with label William Wyler. Show all posts

Monday, May 16, 2011

CMBA Films of 1939 Blogathon: Wuthering Heights

Hello all, time has come for me to post my review for the great Films of 1939 blogathon held by Page and Becky! My review is on William Wyler's production of Wuthering Heights.

Wuthering Heights



Directed By: William Wyler (based on Emily Bronte's famed classic)
Starring: Lawrence Olivier, Merle Oberon, David Niven, Donald Crisp, Flora Robson and Geraldine Fitzgerald.

Now, I'm sure that many of you are familiar with the plot of Wuthering Heights, but just in case you aren't, her is a summary that won't probably won't ruin too much of the story.


Catharine and Hindley Earnshaw have lived in peace with their father at their home, Wuthering Heights, in the middle of the beautiful Yorkshire moors all their lives, until one day, when their father brings them back a surprise from London. He had found a homeless boy on the streets of London and had taken pity on him and brought him home. As soon as the boy arrives he and Cathy (as Catharine was nicknamed) gell well together and spend a great deal of their time playing King and Queen on the moors, pretending that their castle was a special tall rocky slope called Penistone Crag. But Hindley treats Heathcliff like a stable boy, being violent and horrible to him.


Years later, and even after their father's death, Hindley is still treating Heathcliff like filth, but Cathy and Heathcliff still have a very affectionate relationship. But when they are caught spying on a party at the wealthy Lintons' nearby house, The Grange, their friendship changes. Cathy is caught by a guard dog and bitten badly on the ankle. After staying for a while at The Grange to recover from her injuries, Cathy comes back to the Heights a much changed person. She also starts to treat Heathcliff badly until she realises that she does love him.

But that night she receives Edgar Linton, who she had come to know very well while she was staying at his family's house, and he asks her to marry him. Heathcliff is concerned about Cathy's feelings for him and overhears her talking to the housekeeper (and narrator of the story), Ellen, about her situation. When he hears her say that it would degrade her to marry Heathcliff he leaves on his horse not to return for years. What he didn't hear was that she said that she loves Heathcliff more than she loves anyone.

Some years later, after the wedding of Edgar and Cathy, Heathcliff returns a new man. Quite the gentleman, he starts to go after Edgar's sister Isabella, in order to try and make Cathy jealous...

One of the first things that I noticed about this film was the change from the book (that I read recently). Only half of the book is used at all! The film completely cuts off after *serious spoiler!* Cathy dies and tells nothing of the next generation of Lintons and Earnshaws which takes up about 14 of the 34 chapters in the book.

Watching this film again reminded me about how much I love the costume design. I was seriously coveting the beautiful outfit of flowing skirt, stripy shirt and scarf worn by Cathy before she becomes "Linton-ified". All of everyones outfits throughout the movie were beautiful, though the whole film is set when the novel was published, rather than the earlier period the book is actually set in.



All performances were great and Merle Oberon is good as Cathy. I always really enjoy Geraldine Fitzgerald's performance as Isabella Linton, and, surprisingly, I like David Niven! Don't get me wrong, I can appreciate his talent and all, but I find that he is a little dodgy or strange in many movies - though I really like his performances in both this and A Matter Of Life And Death (1946, Powell and Pressburger of The Red Shoes fame). Flora Robson and Donald Crisp are both very good too.


And now on to Lawrence Olivier who I feel deserves a paragraph of his own. I just love him as Heathcliff and sympathise so much more with him in the film than I do with Heathcliff in the book! I don't know if this is just because I seriously like him, but every time I see him in a book-movie production, I like his character so much better than I do in the book. Take "Rebecca".

In the book: Maxim - Obviously a very romantic figure but sounds like a bit of a psycho murderer towards the end; The New Mrs De Winter - Poor girl who marries a murderer (even if this murderer is of Maxim amazingness, it's not that great a choice.) and is tormented by his deceased wife.
In the film: Maxim - *swoon* Handsome man who was treated seriously badly by his dead wife and is just looking for happiness; The New Mrs. De Winter - Annoying. Does love Maxim. More annoying. (nothing to do with Joan Fontaine's performance...)
Yes. He is a great Heathcliff :-) He makes me so upset whenever Cathy rejects him!


The whole picture is directed excellently. My love for William Wyler movies knows no bounds. Just think about it. Mrs. Miniver, The Letter, Ben Hur, Jezebel, Roman Holiday, Funny Girl, is there anything this man can't do? The interesting way that he choses to close up on Heathcliff's hands and other features which are a main part of the description of him in the book is very effective. Producer of the film, Samuel Goldwyn was quoted as saying "I made Wuthering Heights, Wyler only directed it." THIS MAKES ME SOOOOO MAD!!!!!!! It is so obvious that William Wyler made the film what it is - and if there had been any other things added the film may have been quite different.

See. Geraldine Fitzgerald is also angry :-)

The script is also great - maintaining some of the lines from the book. Cathy's scene with Ellen when she tells her she loves Heathcliff is written very well... "Ellen, I am Heathcliff!" And the line that Cathy says to Ellen while preparing for Edgar Linton, "There's nothing to be gained by just looking pretty, like Isabella. Every beauty mark must conceal a thought, and every curl be full of humour," is also very cool.

I also just have to say, doesn't Merle Oberon look so much like Meryl Streep? I think so!

I would honestly recommend this film to anyone. If you have read the book and not seen this film (my parents don't think so highly of the newest ones...) do go and watch it now! One other thing that I have to say is that it isn't nearly as "gothic" as the book. The most gothic it gets is at the end (which Wyler hated and was a suggestion from Goldwyn) and at the begging where Heathcliff runs into the storm and is all crying: "CATHY!!! CATHY!!!"

I hope you enjoyed my review, and you can see the list of all participants here!

~Bette

Sunday, April 3, 2011

The Letter (1940)

Hey guys, do you know what's coming up on Tuesday? BETTE DAVIS'S BIRTHDAY!!! I shall probably be all jumping around in my room and being happy :-). So just to start the Bette Davis theme off, I'm reviewing one of my favourites, The Letter (1940). I'm going to try and write a few little posts that should be posted from now until Tuesday with the super amazing happy birthday one finishing the run on Tuesday afternoon. If you want to post a link to any Bette Davis reviews you've done, you can do so in comments to the posts.

The Letter (1940) Directed By William Wyler
A copy of this poster is stuck to my mirror :-)
Cast:


Plot:
Leslie Crosby and her husband Robert are the owners of a rubber plantation in Malaya. One dark night Leslie runs out of her house on the plantation following a man, shooting him in the chest over and over again. When asked why she did this, she explained that Geoff Hammond, a friend of her and her husband, had visited her and "tried to make love to her," so she shot him. Everyone believes her completely, but she has to be imprisoned in a jail in Singapore until the hearing is over. Everything goes fine with her plan until her lawyer and friend, Howard Joyce discovers a letter to Geoff Hammond from Leslie begging him to come and see her. When confronted with the news she confesses that she had been having an affair with him and when she found out that he had got married to a native woman she was furious.
Leslie Crosby and her lawyer
Howard tells her that the letter is in possession of Geoff's widow. And to get it back (which in itself would be a criminal offense) she has to pay $10,000 and collect the money herself, so Geoff's wife can see the woman who killed her husband. The hearing and trial goes well and she is cleared of all charges. But when she gets home, Robert has plans to move away using the money in his savings. Unknown to Robert, all of his savings had been used to buy the letter. This uncovers the truth about Leslie and Geoff. Still sure they can make everything work out, Robert goes on as planned. But when he comes to see her in her room, he tries to kiss her but she jerks away exclaiming, "With all my heart, I still love the man I killed!" During her celebration party she is kidnapped and murdered by Geoff's widow.


DUN, DUN, DUUUUNNN!!!!


The review:
William Wyler can do nothing wrong in my book. His genius work on films like Mrs. Miniver (1942), Jezebel (1938) and The Little Foxes (1941) tops almost everything I've seen. Bette Davis gives a cold, calculating and manipulative performance as Leslie Crosby. Herbert Marshall (who was also paired with Bette Davis on The Little Foxes) was amazing as well. He was an extremely talented British actor who doesn't get enough credit for his work. This film is surely one of my favourite film noirs. Although the plot is very different, this picture reminds me of Double Indemnity (1940) - and Barbara Stanwyck's  performance is similar to Bette Davis's. The way that William Wyler makes her lace-making such an important part of the story is very clever.

I adore this film, so if you are feeling in a particularly noirey mood it is perfect.

~Bette

Sunday, September 12, 2010

The Little Foxes

Just a few hours ago I was about to look on YouTube to find some interesting videos to spend the afternoon watching, interviews of classic movie stars and the like. It suddenly occurred to me that I could search "The Little Foxes" just to see what came up, and just as if it was put there for me personally, there was the entire film in neat ten and a half minute parts. I had been wanting to see this for ages, but on amazon it costs about £12 rather than the usual £3 for an old movie, and I thought I would just have to wait until Christmas. Well, even if I had had to wait until Christmas it would have been well worth the wait.

I'm not about to explain the whole complicated plot, but the basic storyline is this. Regina Giddens (Bette Davis at her most evil) tricks everyone into giving her what she wants. Even her husband (Herbert Marshal), who is in hospital with severe heart trouble, gives her whatever she asks for. When her brothers start to form a plan to partner up with a cotton manufacturer to make a mill near the cotton fields in their neighbourhood, she jumps at the opportunity to "make it big". She plans to force her husband into making the decision, but her plans take a turn for the worse when her suffering husband refuses to invest. Alongside this is the fact that her daughter (Teresa Wright, Mrs. Miniver) is turning out to be the complete opposite of her vindictive mother.

Wow. This is a pretty fantabiedoobie film. I didn't expect it to be so well put together, and the script by Lillian Hellman is great. She wrote the stage version that was a vehicle for Tallulah Bankhead, who hated Bette Davis because she was more successful in her roles when they were turned into films than she was in the plays (she played Judith Traherne in Dark Victory on stage), but more on that in another post. I thought the costumes were fabulous (even if Bette thought they should have been less fancy considering that the Giddens family was suffering financially), they were all very intricate and the costume in one crucial scene for Bette Davis conveys the conniving, calculating hideous thing that she does extremely well. When I remember that scene I remember her face and the stiff dress she wears best.

~Bette

Saturday, September 4, 2010

Now I Know What's The Trouble With Harry.

(WARNING all Trouble With Harry fans, this is a very negative review of a movie made by the world's best thriller director, who obviously does not know how to do black comedy.)

For one thing, Harry does not seem to be noticed properly until about halfway through the film. Until then he is just lying on a forest path being tripped over.
And here is Harry.
And for some reason Shirley MacLaine (Harry being her estranged husband) seems not to care at all that her husband is dead. In fact, it is her little boy who discovers the body but strangely doesn't recognise him! I know everyone has to make a bad movie, and Hitchcock, your's certainly was a doozie. So after 45 minutes of my idea of hell I decided to put on Mrs Minniver, Directed by William Wyler (who is by the way, topping my favourite directors list at the moment), and spent the rest of the evening crying my eyes out for Greer Garson.


Cast:
Plot: 
Mr. and Mrs. Miniver and their family live in a large house on the outskirts of London. They have a big garden and a private docking area on the river Thames. When their older son, Vin, comes home from Oxford where he has been studying, he falls in love with Carol Beldon, the grand-daughter of one of the most wealthy and influential women in the comunity. But when World War II starts, Vin joins the airforce and Mr. Minniver is part of a sort of home guard. Mrs. Minniver finds herself fighting in her own way at home to save not only her house and village which are rapidly being destroyed by bombs, but her family too.

The Review:
When I came into the room where we were watching it, my mum said "Bette, guess who directed this," I couldn't guess so my mum told me. "William Wyler," Well that was enough to glue me to my seat for a considerable amount of time, and that was before I had even seen Greer Garson as Mrs. Miniver. I spent the evening crying for her, her son, her husband and everyone. I didn't even notice the fact that the house looked like a Hollywood mansion rather than an English country-house. It was definitely a very moving film that has a big impact on you.

Awards

It was the Winner of 6 Academy Awards.
Award Won Result Notes
Outstanding Motion Picture Won Metro-Goldwyn-Mayer Winner was Sidney Franklin, the film's producer
Best Director Won William Wyler
Best Actor Nominated Walter Pidgeon Winner was James Cagney for Yankee Doodle Dandy
Best Actress Won Greer Garson
Best Writing, Screenplay Won George Froeschel, James Hilton, Claudine West, Arthur Wimperis
Best Supporting Actor Nominated Henry Travers Winner was Van Heflin for Johnny Eager
Best Supporting Actress Won Teresa Wright
Best Supporting Actress Nominated May Whitty Winner was Teresa Wright for Mrs. Miniver
Best Cinematography, Black-and-White Won Joseph Ruttenberg
Best Effects, Special Effects Nominated A. Arnold Gillespie (photographic)
Warren Newcombe (photographic)
Douglas Shearer (sound)
Winner was Gordon Jennings, Farciot Edouart, William L. Pereira, Louis Mesenkop for Reap the Wild Wind
Best Film Editing Nominated Harold F. Kress Winner was Daniel Mandell for The Pride of the Yankees
Best Sound, Recording Nominated Douglas Shearer Winner was Nathan Levinson for Yankee Doodle Dandy
~Bette