Make Up Artists: Westmore Family.



Perc, Wally and Bud Westmore.

The Westmore family, has had four generations as make-up artists since George began Hollywood's, first opened his make-up department in 1917. He understood that cosmetic and hair needs were personal and would make up stars such as:

Mary Pickford, who he curled her famous hair daily by making false ringlets.

The Talmadge Sisters.


















He fathered three generations of movie makeup artists, beginning with his six sons: Perc, Ern, Monte, Wally, Bud, and Frank. By 1926, Monte, Perc, Ern, and Bud had become the chief makeup artists at four major studios, and all continued to break ground in new beauty and horror illusions.

In 1921, Monte became Rudolph Valentino's sole makeup artist. When Valentino died in 1926, Monte went to Selznick International.














Thirteen years later, he was make up artiest for the film, Gone With the Wind (1939).

In 1923 Perc worked at First National-Warner Bros. and, over twenty-seven years, started beauty trends and disguises including, in 1939, the faces of:

Charles Laughton's, Hunchback of Notre Dame.

Bette Davis's eyebrow less, white faced look in the film, The Private Lives of Elizabeth and Essex.
















In the early 1920s he blended Stein Pink greasepaint with eye shadow, preceding Factor's Panchromatic. Ern, at RKO from 1929 to 1931 and then at Fox from 1935, was adept at finding the right look for stars of the 1930s.

Wally headed Paramount makeup from 1926, where he created, Frederic March's transformation in, Dr. Jekyl and Mr. Hyde (1931).

Frank followed him there. Bud led Universals makeup department for twenty-three years, specializing in rubber prosthetics and body suits such as the one used in, Creature from the Black Lagoon (1954).








Together they built the House of Westmore salon, which served stars and the public. Later generations have continued the name, including brothers Michael and Marvin who have excelled in special makeup effects, such as in the films:

Blade Runner (1982).

Mask (1985).

Raging Bull (1980).




Other films that the Westmore family did the make-up for:

George:

1922
Smilin' Through (Franklin)
1924
Secrets (Borzage)

Mont:
1922
Blood and Sand (Niblo)
1923
Monsieur Beaucaire (Olcott)
1924
A Sainted Devil (Henabery)
1925
Cobra (Henabery); The Eagle (Brown)
1926
Son of the Sheik (Fitzmaurice); The King of Kings (DeMille)
1929
Mexicali Rose (Kenton)
1932
Scarface (Hawks)
1934
The House of Rothschild (Werker)
1935
Mutiny on the Bounty (Lloyd)
1939
Intermezzo (Ratoff); Gone with the Wind (Fleming)
1940
Rebecca (Hitchcock)

Perc:
1925
Stella Dallas (H. King); The Lost World (Hoyt)
1934
Bordertown (Mayo)
1935
Captain Blood (Curtiz); A Midsummer Night's Dream (Reinhardt and Dieterle)
1936
Cain and Mabel (Bacon); The Story of Louis Pasteur (Dieterle); The Walking Dead (Curtiz)
1937
The Life of Emile Zola (Dieterle); Dead End (Wyler)
1939
The Private Lives of Elizabeth and Essex (Curtiz); The Return of Dr. X (V. Sherman); Juarez (Dieterle); The Hunchback of Notre Dame (Dieterle)
1941
Kings Row (Wood)
1942
Casablanca (Curtiz)
1951
The Blue Veil (Bernhardt)
1956
The Catered Affair (Brooks)
1966
Munster, Go Home! (Bellamy)
1969
The Arrangement (Kazan)
1970
There Was a Crooked Man . . . (Mankiewicz)

Ern:
1926
The Sea Beast (Webb)
1930
Cimarron (Ruggles)
1931
Way Back Home ( Old Greatheart ) (Seiter)
1932
A Bill of Divorcement (Cukor)
1937
Lost Horizon (Capra)

Wally:
1931
Dr. Jekyll and Mr. Hyde (Mamoulian); Island of Lost Souls (Kenton)
1933
Alice in Wonderland (McLeod)
1936
The General Died at Dawn (Mielstone)
1938
Spawn of the North (Hathaway); Professor Beware (Nugent)
1942
The Great Man's Lady (Wellman)
1961
Breakfast at Tiffany's (Edwards); One-Eyed Jacks (Brando)
1962
The Man Who Shot Liberty Valance (Ford)
1963
Hud (Ritt)
1964
The Carpetbaggers (Dmytryk); Lady in a Cage (Grauman); Robinson Crusoe on Mars (Haskin)
1965
Harlow (Douglas)
1966
The Oscar (Rouse); This Property Is Condemned (Pollack)
1967
Barefoot in the Park (Saks)
1968
The Odd Couple (Saks); Will Penny (Gries)
1970
The Molly Maguires (Ritt); There Was a Crooked Man ... (Mankiewicz)

Bud:
1948
Mr. Peabody and the Mermaid (Pichel)
1954
The Creature from the Black Lagoon (Arnold)
1955
Tarantula (Arnold); This Island Earth (Newman)
1956
Creature Walks among Us (Sherwood); The Mole People (Vogel)
1957
Deadly Mantis (Juran); Land Unknown (Vogel); Man of a Thousand Faces (Pevney)
1961
Flower Drum Song (Koster); Lover Come Back (Delbert Mann)
1962
Lonely Are the Brave (Miller); That Touch of Mink (Delbert Mann); To Kill a Mockingbird (Mulligan)
1963
The List of Adrian Messenger (Huston); Captain Newman, M.D. (Miller)
1965
I Saw What You Did (Castle); The War Lord (Schaffner)
1966
Madame X (Rich); The Plainsman (Rich)
1967
Thoroughly Modern Millie (Hill); The War Wagon (Kennedy)
1968
Madigan (Siegel)
1969
Death of a Gunfighter (Smithee); Sweet Charity (Rosse); Tell Them Willie Boy Is Here (Polonsky)
1970
Airport (Seaton); The Forbin Project (Sargent)
1973
Soylent Green (Fleischer)


Frank:
1942
Beyond the Blue Horizon (Santell)
1946
Tars and Spars (Green)
1947
Unconquered (DeMille)
1948
Let's Live a Little (Wallace)
1950
Storm Warning (Heisler)
1952
Rancho Notorious (F. Lang)
1953
All I Desire (Sirk)
1954
Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (Lamont)
1956
The Mountain (Dmytryk); The Ten Commandments (DeMille)
1957
The Joker is Wild (C. Vidor); The Buster Keaton Story (Sheldon)
1958
Hot Spell (Daniel Mann); Houseboat (Shavelson); The Match-maker (Anthony); The Buccaneer (Quinn)
1960
The Rat Race (Mulligan)
1962
My Geisha (Cardiff); Two for the Seesaw (Wise)
1963
Irma La Douce (Wilder)
1964
What a Way to Go! (Lee Thompson)
1965
The Flight of the Phoenix (Aldrich)
1970
Two Mules for Sister Sara (Siegel)
1971
Fool's Paradise (McLaglen); The Beguiled (Siegel)
1972
Kung Fu (Thorpe)
1974
The Towering Inferno (Guillermin and Allen); Mr. Ricco (Bogart)
1975
Farewell, My Lovely (Richards)

Please click here to view Westmore Museum Website.

And The Winner Is.... Edith Head.

I think the clothing or costuming in a movie is very important. If the clothing is wrong, especially in a period film, the whole feel of the movie would not be right. So where would we be without wonderful costume designer like, Edith Head? (October 28, 1897 – October 24, 1981), She had a long career in Hollywood, that won the most Oscars by any woman with 8 for her costume designs listed below:

The Heiress (1950)

Samson and Delilah (1951)

All About Eve (1951)

A Place In The Sun (1952)

The Greatest Show on earth (1953)
(no photo)



Carrie (1953)

Roman Holiday (1954)

















Sabrina (1955)

The Facts of Life (1961)
(no picture)



The Sting (1974)

She received a BA in Spanish at the University of California, Berkeley, in 1918 and earned an MA in Romance Languages from Stanford University in 1920 and then became a Language teacher. She wanted to improve her drawing skills so she took evening art classes at, Chouinard Art College.

In 1924, Head was hired as a costume sketch artist at Paramount Pictures, in the costume department. She began designing costumes for silent films starting with film, The Wanderer (1925) and by the 1930s was known as one of Hollywood's leading costume designers. She worked at Paramount for 44 years until she went to Universal Pictures on March 27, 1967, to work for director, Alfred Hitchcock.

Head was originally over-shadowed by Paramount's Head Designers, Howard Greer then Travis Banton. It was only after Banton's resignation in 1938 that she became famous as a designer. Her design of the "sarong" dress made for Dorothy Lamour, in the film,The Hurricane, made her well-known among the women of the era.

In 1944 she designed the top mink-lined gown she was credited with designing for Ginger Rogers in the film, Lady in the Dark.

The institution of an Academy Award for Costume Designer, in 1949 helped her career as it began her record breaking run of Award nominations and awards, beginning with her nomination for the film, The Emperor Waltz.

Head, was well loved by actress because she consulting with them while designing their costumes. Some of her favorite clients were: Ginger Rogers, Bette Davis, Barbara Stanwyck, Shirley MacLaine, Anne Baxter, Grace Kelly, Audrey Hepburn and Elizabeth Taylor. Head, was frequently 'loaned' out by Paramount to other studios at the request of their female stars. In the 1950s she was famous for her "queen of the shirtwaisters".

She was one of Alfred Hitchcock's favorite costume designers. While filming, Rear Window, sometimes, problems would emerge on set concerning the wardrobe. Like when rehearsing one scene the sheer nightgown that Grace Kelly was wearing, Hitchcock, decided to contact Edith Head and said, "Look, the bosom is not right, we're going to have to put something in there." While in Grace Kelly's dressing room Edith said, "Mr. Hitchcock is worried because there's a false pleat here. He wants me to put in falsies." Grace Kelly said, "You can't put falsies in this, it's going to show and I'm not going to wear them." And Edith said, "What are we going to do?" So they made some adjustments and Grace Kelly stood as straight as possible without her falsies. When Grace Kelly walked out onto the set Hitchcock looked at her and at Edith and said, "See what a difference they make?"

She also worked with Hal Wallis, who was head of production at Warners. His spanned more than fifty years and he was involved with more than 400 movies. Head, had been famous for her work with Audrey Hepburn in the film, Roman Holiday. She designed the costumes for many Jerry Lewis films, while he was at Paramount.

In 1967, she left Paramount Pictures, and joined Universal Pictures, where she remained until her death in 1981. As many of her stars retired, Head became more active as a television costume designer, often designing costumes for film actresses, like Olivia De Havilland, who began working in television series. In 1974, Head won her final Oscar for her work on, The Sting.

During the late 1970s, Edith Head was asked to design a woman's uniform for the United States Coast Guard. Head called the assignment a highlight in her career, and she was awarded the Meritorious Public Service Award for her work. Her last film project was the black and white comedy, Dead Men Don't Wear Plaid, starring Steve Martin and Carl Reiner, in which she re-created fashions of the 1940s, using film clips from classic film noirs. It was released shortly after her death and dedicated to her memory.

Dark sunglasses became her trademark. Originally the lenses were blue, but later they were dark shades of gray. They were worn to see how the clothing would appear in black and white. The glasses and her unchanging hair style helped her to hide her true age. In the 1920s, she wore a Colleen Moore Dutch boy cut, but in the 1930s she noticed Anna May Wong's style and copied it: flat bangs with a chignon at the back. She would wear it for the rest of her life.

Among the actresses Edith Head designed for were:

Mae West in She Done Him Wrong, 1933, and Myra Breckinridge, 1970, and Sextette in 1979

Frances Farmer in Rhythm on the Range, 1936 and Ebb Tide, 1937

Paulette Goddard in The Cat and the Canary, 1939

Veronica Lake in Sullivan's Travels, 1941 and I Married a Witch, 1942

Barbara Stanwyck in The Lady Eve and Ball of Fire both 1941 and Double Indemnity, 1944

Ginger Rogers in Lady in the Dark, 1944
Ingrid Bergman in Notorious, 1946

Dorothy Lamour in The Hurricane, 1937, and in most of "The Road" movies.

Betty Hutton in Incendiary Blonde, 1945 and The Perils of Pauline, 1947

Loretta Young in The Farmer's Daughter, 1947

Bette Davis in June Bride (1948) and All About Eve, 1950

Olivia de Havilland in The Heiress, 1949
Hedy Lamarr and Angela Lansbury in Samson and Delilah, 1949
Gloria Swanson in Sunset Boulevard, 1950

Elizabeth Taylor in A Place in the Sun, 1951 and Elephant Walk, 1954

Joan Fontaine in Something to Live For, 1952

Audrey Hepburn in Roman Holiday, 1953 Sabrina, 1954 and Funny Face, 1957

Ann Robinson in The War of the Worlds, 1953

Grace Kelly in Rear Window, 1954, and To Catch a Thief, 1955

Doris Day in The Man Who Knew Too Much, 1956
Anne Baxter in The Ten Commandments, 1956
Marlene Dietrich in Witness for the Prosecution, 1957
Rita Hayworth in Separate Tables, 1958
Kim Novak in Vertigo, 1958
Sophia Loren in That Kind of Woman, 1959
Patricia Neal in Breakfast at Tiffany's, 1961

Natalie Wood in Love With The Proper Stranger, 1963 Sex and the Single Girl 1964, Inside Daisy Clover, 1965, The Great Race, 1965, Penelope, 1966, This Property Is Condemned, 1966, The Last Married Couple in America, 1980


Tippi Hedren in The Birds, 1963 and Marnie, 1964

Claude Jade in Topaz, 1969
Katharine Hepburn in Rooster Cogburn, 1975
Jill Clayburgh in Gable and Lombard, 1976
Valerie Perrine in W.C. Fields and Me, 1976

Head received 35 Academy Awards nominations for Best Costume Design for the films:

1949 – Color – The Emperor Waltz
1950 – Black and White – The Heiress – won
1951 – Color – Samson and Delilah – won
1951 – Black and White – All About Eve – won
1952 – Black and White – A Place in the Sun – won
1953 – Color – The Greatest Show on Earth
1953 – Black and White – Carrie
1954 – Black and White – Roman Holiday – won
1955 – Black and White – Sabrina – won

Note: Although Edith Head won an Oscar for Best Costumes, most of Audrey Hepburn's "Parisian" ensembles were, in fact, designed by Hubert de Givenchy.  Because the costumes were made in Edith Head's Paramount Studios costume department, some felt that doing so created enough of a technicality to nominate Edith, instead of Monsieur Givenchy. Edith Head refused to be shown alongside Givenchy in the credits, so she was given credit for the costumes. Edith Head did not refuse the Oscar.

1956 – Color – To Catch a Thief
1956 – Black and White – The Rose Tattoo
1957 – Color – The Ten Commandments
1957 – Black and White – The Proud and Profane
1958 – Best Costume Design – Funny Face
1959 – Best Costume Design, Black and White or Color – The Buccaneer
1960 – Color – The Five Pennies
1960 – Black and White – Career
1961 – Color – Pepe
1961 – Black and White – The Facts of Life – won
1962 – Color – Pocketful of Miracles
1963 – Color – My Geisha
1963 – Black and White – The Man Who Shot Liberty Valance
1964 – Color – A New Kind of Love
1964 – Black and White – Wives and Lovers
1964 – Black and White – Love with the Proper Stranger
1965 – Color – What a Way to Go!
1965 – Black and White – A House Is Not A Home
1966 – Color – Inside Daisy Clover
1966 – Black and White – The Slender Thread
1967 – Color – The Oscar

Note: The Academy no longer distinguished between awards for Color and awards for Black and White films.

1970 – Sweet Charity
1971 – Airport
1974 – The Sting – won
1976 – The Man Who Would Be King
1978 – Airport '77

This video is a mini bio.



Made cameo appearance as herself in one of my favorite TV shows Columbo: Requiem for a Falling Star(1973) as the clothing designer for Anne Baxter's character. Her Oscars were displayed on a desk in the scene.

Appeared as herself in the film, Lucy Gallant (1955). Jane Wyman, plays the main character, Lucy Gallant. The story about how Lucy Gallant, is left at the altar and she moves to a oil town, where she opens up a boutique. Rancher Casey Cole (Charlton Heston) does not believe in "working women", but he's madly in love with her. Lucy nearly loses her business due to financial problems, but Casey secretly pumps money into her operation.

Book: Dressed: A Century of Hollywood Costume Design.

I took a peek at this book at Barnes and Noble the other day. It really is a beautiful book. The photographs and costume illustrations are really high quality. There are chapters on costume design for each of the last 10 decades, then there are the gorgeous photos (lots and lots of color),  many sketches, and captions that go along with the images. The captions are quotes from directors, actors and designers. I would definitely recommend this book for anyone who loves movies.

Mannequin (1937). Fashion Show.

Mannequin (1937). Director: Frank Borzage. Cast: Joan Crawford, Spencer Tracy and Alan Curtis. In the film, Crawford plays Jessie, a young working class woman who wants to improve her life by marrying her boyfriend, only to find out that he is no better than what she left behind. Jessie meets a self-made millionaire with whom she falls in love despite his financial problems.

Gowns by Adrian.

Classic Film and Fashion.

Film has always given us girls fashion ideas. Costumes not only help create a character, but it can start fashion trends. Here is a list of fashion trendsetting movies.


Brooks sleek hairdo and half-naked beaded flapper gowns were perfect for her character in PANDORA'S BOX. The look also worked for for Cyd Charisse and Melanie Griffith, who copied it for their performances in "Singin' in the Rain" and "Something Wild,".


Designer Adrian helped dress MGM queens: Joan Crawford, Norma Shearer, Greta Garbo and Jean Harlow, but it was his work in LETTY LYNTON (1932), that showed Hollywood just how much influence it had on the way women dressed. His designs showed off each star's best physical features. For Crawford he created a white organdy dress with shoulder ruffles, more than a million women added the white organdy dress to their own closets. And the broad-shouldered power suits he designed for Crawford became a very popular style with woman. Edith Head once called LETTY LYNTON the greatest influence on fashion in film history.


PAT AND MIKE (1952). This film was a perfect example of Katharine Hepburn liberating image. From her first performance, Hepburn defied convention by dressing like a man, saying her high-waisted trousers, men's shirts and loafers were more comfortable. The look seem to fit perfectly with her characters, which helped changed fashion for women. In 1986 the Council of Fashion Designers of America honored her with a special award. She never took herself too seriously, she accepted saying, "We're in a pretty serious spot when the original bag lady wins a prize for the way she looks."



Grace Kelly and designer Edith Head produced fashion magic in the movie, Rear Window(1954). Alfred Hitchcock wanted Grace Kelly to look, understated and elegant. With Kelly perfectly cast as a fashionable socialite, Head was able to create beautiful designs. From a pale green skirt suit to the floral print dress showed woman of the 50s how to be chic, and a new fashion icon was born.


When Brigitte Bardot sunbathed in her bikini in the film AND GOD CREATED WOMAN, her career began as the "sex kitten. The ballet flats and plunging necklines were soon the rage. And her tousled up-swept hair, is still to this day the height of casual elegance.


The combination of colors and exposed undergarments of Rosalind Russell costumes in the film, AUNTIE MAME (1958). Designer Orry-Kelly, found the glamour in Mame's bohemian lifestyle and her style continues to be popular today.



BREAKFAST AT TIFFANY'S (1961). When Audrey Hepburn ate breakfast while looking in Tiffany’s windows, the little black dress she wore became the staple in many woman's wardrobe. Created by designer, Givenchy. That wasn't the only fashion influence in this classic 1961 comedy, the triple strand pearl necklaces, sleeveless dresses and oversized sunglasses, are still considered the height of elegance even today.



BONNIE AND CLYDE (1967). When Faye Dunaway, looked at Theodora van Runkle's printed scarves, pencil skirts, knitted sweaters, the one time model completely changed her style. "… until I met Theodora, clothes...had just been part of the job," Dunaway once said. "She taught me how much fun it can be." Soon all us girls wanted to look "retro chic". Even the beret, once only worn by Frenchmen and struggling poets, became a hot fashion item. Because of the film, BONNIE AND CLYDE, the '30s look became popular in the 1970s.

Jean Louis. Academy Award winner for Costume Design.

Jean Louis, was a French-born, Hollywood costume designer and an Academy Award winner for Costume Design. Louis worked as head designer for Columbia Pictures from 1944 to 1960. His most famous designs include: Rita Hayworth's black satin strapless dress from Gilda (1946), Marlene Dietrich's beaded souffle for her cabaret world tours, as well as sparkling gown Marilyn Monroe wore when she sang "Happy Birthday, Mr. President" to John F. Kennedy in 1962.

In 1993, four years after the death of his second wife, Louis married former client Loretta Young (married until his death in 1997).

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Actresses Jean Louis designed for:
Rita Hayworth in Tonight and Every Night, 1945, Gilda, 1946, Affair in Trinidad, 1952, Miss Sadie Thompson and Salome, 1953
Irene Dunne in Together Again, 1944
Claudette Colbert in Tomorrow is Forever 1946
Judy Holliday in Born Yesterday, 1950 and The Solid Gold Cadillac, 1956
Gloria Grahame in The Big Heat, 1953
Deborah Kerr in From Here to Eternity, 1953
Judy Garland in A Star is Born, 1954
Joan Crawford in Queen Bee, 1955
Kim Novak in Picnic, 1955, and Bell, Book, and Candle, 1958
Kim Novak and Rita Hayworth in Pal Joey, 1957
Lana Turner in Imitation of Life, 1959
Doris Day in Pillow Talk (1959) and Send Me No Flowers (1964)
Loretta Young for The Loretta Young Show, Television series, 1953-1961
Marlene Dietrich in The Monte Carlo Story, 1957, and Judgement at Nuremberg, 1961
Susan Hayward in Back Street, 1961
Marilyn Monroe in The Misfits, 1961, and Something's Got to Give (unfinished), 1962
Shirley MacLaine in Gambit, 1966
Julie Andrews, Mary Tyler Moore, and Carol Channing in Thoroughly Modern Millie, 1967Eva Gabor for Green Acres Television series, 1965-1967

Rita Hayworth beauty tips.

Rita Hayworth was a top glamour girl in the 1940s. She was a pin-up girl for military servicemen and a beauty icon for women. At 5'6" she was tall for women of her time and her height was a concern to her movie star dancing partners like Fred Astaire.

Hayworth got her motion picture break because she was willing to change her hair color. She changed her hair color eight times in eight movies.

Hayworth had a unique beauty style. When she became a celebrity she had naturally long nails. "I take care of my nails myself," she said. "I find my cuticle never tears and my nails don't break if I rub cream into them every night." She was once the cover girl of "Nails magazine". In 1940 she started a manicure trend. Hers nails were oval than pointed, and fully covered with hot pink polish. (Previously there was no polish covering the moon of the nail or the tip.)

In 1949 Hayworth's lips were voted best in the world by the Artists League of America. She had a modeling contract with Max Factor to promote its Tru-Color lipsticks and Pan-Stik make-up.

JACK DAWN - make-up artist.

JACK DAWN, a make-up artist whose career spanned over 37 years, during which he worked on more than 200 films. As a boy Jack carved faces in sandstone, using a chisel, a hammer, and a spoon. As he grew older he moved on to to Hollywood, where he found work as an extra. After World War I, he returned to America to work as a make-up assistant and part-time actor. His first creation was a mask he wore in the role of an ape in 1925. After 9 years of research he invented a product he called vinylite resin. It was first used to create the Chinese faces for the cast of: The Good Earth (1937). 2 years later, Jack was hired to do the make up in the film: The Wizard of Oz. In 1943, Jack volunteered to help the San Diego, Naval Hospital, World War II soldiers, whose faces and hands had been disfigured. He made inlays to help patients look normal between plastic surgery operations. Because there were no Academy Awards given for makeup during his career, Jack never received an Oscar.
THE WIZARD OF OZ (1939) MOVIE TRAILER.
To list a few of the 200 films that Jack Dawn worked on:
Maytime (1937)
A Christmas Carol (1938)
Love Finds Andy Hardy(1938)
Ninotchka (1939)
Pride and Prejudice (1940)
The Philadelphia Story(1940)
Blossoms in the Dust (1941)
Dr. Jekyll and Mr. Hyde (1941)
Woman of the Year (1942)
For Me and My Gal (1942)
Random Harvest (1942)
Du Barry Was a Lady (1943)
Gaslight (1944)
National Velvet (1944)
Meet Me in St. Louis (1944)
Thirty Seconds Over Tokyo (1944)
The Picture of Dorian Gray(1945)
Anchors Aweigh (1945)
Week-End at the Waldorf (1945)
The Harvey Girls (1946)
The Postman Always Rings Twice (1946)
The Yearling (1946)
Easter Parade(1948)
Little Women(1949)
Neptune's Daughter (1949)
The Stratton Story (1949)
The Barkleys of Broadway (1949)
That Midnight Kiss (1949)
Madame Bovary (1949)
In the Good Old Summertime (1949)
On the Town (1949)
Annie Get Your Gun (1950)
The Asphalt Jungle (1950)
Father of the Bride(1950)