Grand Slam (1933). Directed by William Dieterle. With Paul Lukas, Loretta Young, Frank McHugh, Glenda Farrell.
The story begins when waiter/novelist Peter Stanislavsky marries Marcia, he learns to play bridge even though he thinks that it is a childish game. One evening, while he is working as a waiter at a bridge party given by Lola Starr, he is asked to play, with bridge expert Cedric Van Dorn.
After Peter wins the card game, It makes headlines and Speed McCann ghostwrites a best-selling book for him. A national tour is set up with Marcia as his partner and they sweep the country.
A very enjoyable little comedy, with some unexpected touches like the cast introduced as faces on a deck of cards. Paul Lukas and Loretta Young, make a wonderful team playing the" Bridge Sweethearts", who are fun to watch, even when the story line is not very believable. The film takes advantage of the fad for contract bridge which had swept across the country in the 1920's.
Glenda Farrell (June 30, 1904 – May 1, 1971). Warner Brothers signed her to re-create on film the role she played in, Life Begins on Broadway. Farrell worked on parts in twenty movies in her first year with the studio. She was best known as the wise-cracking, hard-boiled, and somewhat dizzy blonde of the early talkies, along with brassy blonde, Joan Blondell, with whom she would be frequently paired.
Her brassy persona was used to great effect in the film, Little Caesar (1931) opposite Edward G. Robinson, I Am a Fugitive from a Chain Gang (1932) opposite Paul Muni, Havana Widows (1933) with Blondell, Bureau of Missing Persons (1933) opposite Pat O'Brien, Mystery of the Wax Museum (1933) opposite Lionel Atwill and Fay Wray, and The Big Shakedown (1934) with Charles Farrell and Bette Davis.
She became one of Warner Brothers’ most prolific actresses of the 1930s, solidifying her success with her own film film series, as Torchy Blane, "Girl Reporter". In this role Farrell was promoted as being able to speak 400 words in 40 seconds. Farrell would portray the character Torchy Blane in eight films, from 1937 to 1939 when the role was taken over by Jane Wyman.
In 1937 she starred opposite Dick Powell and Joan Blondell in the Academy Award nominated Lloyd Bacon and Busby Berkeley directed musical comedy Gold Diggers of 1937.
Farrell went out of vogue in the 1940s but made a comeback later in life, winning an Emmy Award in 1963, for her work in the television series Ben Casey.





















There is so much love and longing expressed in both Young and Tracy's faces that it is truly romantic. Just as Bill is about to leave Trina for a flashy showgirl, played by Glenda Farrell, Trina announces to him that she is pregnant with his child. Bill plans a robbery in order to leave Trina some money, but ends up getting shot. The ending of the film was quite surprising to me. Man's Castle deserves to be more widely known. It is truly a Depression era masterpiece. The expressionistic black and white photography is very effective in keeping the atmosphere grim and bleak. Nevertheless, dreamy close-ups of Loretta Young make her look so beautiful and softens the dark aspects of the film. Tracy and Young gave great performances and had wonderful chemistry together. It is not surprising, since the two were having an off screen affair at the time. I love the film not only for the great performances of Young and Tracy, but because of director Frank Borzage's romantic message of love triumphing in the


