Showing posts with label richardo cortez. Show all posts
Showing posts with label richardo cortez. Show all posts

Thursday, January 27, 2011

"Torrent” (1926)


“Torrent” (1926) is a silent romantic drama starring Ricardo Cortez, Greta Garbo and Gertrude Olmstead. Directed by Monta Bell and adapted from the novel by Spanish author, Vicente Blasco Ibanez, “Entre Naranjos,” this film is a story of lost love and missed chances. Leonora Moreno, a peasant girl, played by Greta Garbo, and Rafael Brull, played by Ricardo Cortez, have grown up in the same Spanish village. Although they are in love, Rafael is from an aristocratic family and dominated by his mother, Dona Bernarda Brull, played by Martha Mattox. Dona Bernarda forbids the relationship causing Leonora’s family to be kicked out of their home. Leonora’s father, Don Pedro Moreno, played by Edward Connelly, decides to take his daughter off to Paris where her trained voice is sure to be a hit. Meanwhile, her mother, Dona Pepa Moreno, played by Lucy Beaumont, is left behind to work as a maid for Dona Bernarda. After Leonora leaves for Paris, Dona Bernarda convinces Rafael that Remedios Matias, played by Gertrude Olmstead, would be the ideal wife for him mainly because her father, Don Matias, played by Mack Swain, has grown rich in hog raising, and he becomes engaged to her. While living in Paris, Leonora becomes a famous opera singer, La Brunna, and develops a reputation for being a loose woman. When Leonora returns to her home to see her mother, she and Rafael meet again and their love is rekindled. Unfortunately, Dona Bernarda separates them again, and he marries Remedios. Years later, Leonora and Rafael meet again. She is still beautiful, but he looks older than his years and is an unhappily married man with two children. The ending is surprising.











“Torrent” (1926) was Garbo’s American film debut and it helped establish her as a big star. With magnificent sets and costumes, this was MGM filmmaking at its best. The special effects must have been quite remarkable for their time. With no language barrier to deal with, the Swedish actress was able to play a Spanish peasant turned temptress with no disbelief from the audience. Handsome Ricardo Cortez was quite convincing as a Spaniard and does an admirable job appearing foolish and growing old ungracefully. One of the things I liked most about the film was the use of sepia, blue, lavender and red hues throughout. I liked the scene where Cortez braves the torrent in a row boat trying to rescue Leonora. One of my favorite scenes is when a lovesick Cortez wanders back to Garbo’s home and tells her he needs her and they dissolve into each other’s arms. The scene in which Cortez and Garbo are lying near the orange blossoms is breathtakingly romantic and very well done. “Torrent” is worth watching just for its stunning cinematography and Garbo’s impressive American film debut.

Ricardo Cortez, who looked like Latin Lover Rudolph Valentino, was invented, named and groomed to become a direct rival. Ironically, he wasn’t Latin at all, having been born Jacob Krantz to an Austrian Jewish family in New York City. He became starstruck growing up in Manhattan, began playing bit parts in New York-based films, and after moving to Hollywood, his appearance in a dance contest won him a Paramount contract. Jesse Lasky of Paramount was in the audience and noticed how much Krantz resembled Valentino. Lasky immediately offered Krantz a contract and began preparing him to take Valentino’s place. Lasky’s secretary picked the name Ricardo Cortez when it was decided the young actor needed a Latin name. Krantz stuck with his new name and went on to make ninety pictures from 1924 to 1958, all under the name of Ricardo Cortez. He also achieved a considerable degree of prominence during the silent era with films such as “Argentine Love” (1924), “The Spaniard” (1925), “The Swan” (1925) and “Torrent” (1926). Cortez moved easily into talkies and starred in such films as “The Maltese Falcon” (1931), “Symphony of Six Million” (1932), “Midnight Mary” (1933) and “Torch Singer” (1933). When Cortez retired from the film business, he went to work as a stockbroker on Wall Street. Cortez died in New York City on April 28, 1977. He was 76 years old. He was the brother of noted cinematographer Stanley Cortez (born Stanislaus Krantz).


Dona Bernarda has in mind Remedios Matias, played by Gertrude Olmstead, as a daughter-in-law mainly because her father, Don Matias, played by Mack Swain, has grown rich in hog raising.

Monday, June 21, 2010

“The Swan” (1925)


“The Swan” (1925) is a silent romantic comedy starring Frances Howard, Adolphe Menjou and Ricardo Cortez. Directed by Dimitri Buchowetzki, this film is about a love that cannot be. Set in a fictitious European kingdom, Princess Alexandra of Beldonia, played by Frances Howard, is secretly in love with her fencing tutor, Dr. Walter, played by Ricardo Cortez, who is also secretly in love with her. Unfortunately, Princess Beatrice, played by Ida Waterman, has arranged the marriage of her daughter to playboy Prince Albert of Hohenberg, played by Adolphe Menjou, who has a wandering eye and is only interested in having fun. Discouraged by Prince Albert’s indifference to Princess Alexandra upon meeting her at a formal dance at the palace, Princess Beatrice tells her daughter to do anything to make the prince jealous. She suggests Princess Alexandra to invite Dr. Walter, her tutor, to the picnic she has arranged for the following day. Princess Beatrice points out that she can flirt with Dr. Walter without danger because he is merely a tutor and not a man. The next day at the picnic Prince Albert pays no attention to Princess Alexandra and spends most of the time flirting with Countess Wanda, played by Helen Lee Worthing, a beautiful lady-in-waiting. The picnic is abruptly interrupted by a thunderstorm with torrential rain. Princess Alexandra takes shelter with Dr. Walter in a cabin. While they are alone in the cabin, Dr. Walter confesses his love for her. However, Princess Alexandra explains to him that their love cannot be because due to her upbringing she sees herself as a swan who has to remain in her pond with other swans, not fly away and mingle with other birds. At a drinking bout in the castle later that evening, Prince Albert insults Dr. Walter, and the two men begin to duel. Dr. Walter disarms the drunken Prince Albert but is wounded by Prince Albert’s aide, Colonel Wunderlich, played by Michael Vavitch. At this point, Princess Alexandra rushes to Dr. Walter and confesses her love for him before the entire court.




The first of three film versions of Ferenc Molnar's play, "The Swan" (1925) is an early Paramount production that is the only one of director Dimitri Buchowetzki's works in circulation. Even though it comes across as a fairy tale type of story, it is not a costume drama. "The Swan" takes place in the present time with beautiful clothes and exquisite palace interiors. The story is well presented and so enjoyable to watch with plenty of romance and wit. Adolphe Menjou gives a marvelous performance as the caddish prince. Handsome Ricardo Cortez and lovely Frances Howard are excellent as the lovelorn tutor and princess. The love scenes between Cortez and Howard are very romantic and touching. Their expressive eyes convey their mutual love. My favorite scene is when Cortez confesses his love to Howard in the cabin and then gives her a passionate kiss that leaves them both breathless for a couple of minutes. The scene in which Howard confesses her love for Cortez before the entire court is very powerful.


Ricardo Cortez, who looked like Latin Lover Rudolph Valentino, was invented, named and groomed to become a direct rival. Ironically, he wasn’t Latin at all, having been born Jacob Krantz to a Jewish family in Vienna, Austria. At the age of three, Krantz immigrated with his family to America. He became starstruck growing up in Manhattan, began playing bit parts in New York-based films, and after moving to Hollywood, his appearance in a dance contest won him a Paramount contract. Jesse Lasky of Paramount was in the audience and noticed how much Krantz resembled Valentino. Lasky immediately offered Krantz a contract and began preparing him to take Valentino’s place. Lasky’s secretary picked the name Ricardo Cortez when it was decided the young actor needed a Latin name. Krantz stuck with his new name and went on to make ninety pictures from 1924 to 1958, all under the name of Ricardo Cortez. He also achieved a considerable degree of prominence during the silent era with films such as “Argentine Love” (1924), “The Spaniard” (1925), “Torrent” (1926), and “The Sorrows of Satan” (1926). Cortez moved easily into talkies and starred in such films as “The Maltese Falcon” (1931), “Symphony of Six Million” (1932), “Midnight Mary” (1933), and “Torch Singer” (1933). When his acting career waned, he moved into the directing role and continued to be involved in films as Ricardo Cortez until 1958. Nearly forgotten today, “The Swan” (1925) was an early starring role for handsome Ricardo Cortez.



*It is interesting to note that Frances Howard was the second wife of Samuel Goldwyn. She made only four films in Hollywood.