Showing posts with label thelma ritter. Show all posts
Showing posts with label thelma ritter. Show all posts

Friday, October 8, 2010

Time For Another Photo Post, Dahling

Hello all you people. I am here. Again. At my computer. Blogging. So before I dazzle you with a few photos, here was my day:

  1. Get up
  2. Go to school
  3. Learn for 5 hours
  4. Do an hour of PE
  5. Come home and blog!
Here is how I look after that. Like a grumpy Margo Channing.

 Please enlarge these! Blogger is evil and it shrinks my fantabiedoobie photos!
Quickie Thelma Ritter Photo:
"I'm-I'm sorry if I hurt your feelings, its just my way of talkin'."
I should use this apology more often, it seems to work for Birdie.
Claude Rains:

Compare.
This:

That is how facebook orientated we are nowadays.

Claude Rains looking every bit the English Victorian father.
Gorgeous Bette Davis:
Bette about to go fishing which apparently she did quite often.
Bette looking adoringly at Gary Merril, her 4th husband.
Hmm whats going on over there?
Oh Bette, you are my hero.
How could anyone think this photo is not the epitome of 1930s glamour?
Have a great weekend!

~Bette

Thursday, July 22, 2010

Perfect Strangers(1950)


Perfect Strangers(1950). Comedy-drama. Director: Bretaigne Windust.Cast: Ginger Rogers, Dennis Morgan and Thelma Ritter. The screenplay for the Warner Bros. release by Edith Sommer was based on an adaptation of the 1939 Ben Hecht-Charles MacArthur play Ladies and Gentlemen by George Oppenheimer.

Jury members selected to sit for the Los Angeles murder trial of Ernest Craig are: Terry Scott, who is separated from her husband; David Campbell, married with two children; Lena Fassler, pregnant with her sixth child; Mrs. Isobel Bradford, a society woman; and womanizer Robert Fisher.

The sequestered jury discuss over dinner, how they believe Craig murdered his wife when she refused to give him a divorce so he could marry his secretary. Terry tells the others to keep an open mind until they hear the case.

After the first day in court, the jurors return to their hotel suite. During a heated discussion of the case, Terry and David walk out to the balcony, but are soon joined by Isobel and Fisher. David and Isobel agree that when Craig had the motive for the murder, Terry accuses them of being too opinionated.

Later David walks out to the balcony. He runs into Terry, who apologizes for her earlier outburst, they talk about what they would be doing if they were at home.
David talks about his family, Terry talks about her lonely life since separating from her husband. They end up in each other arms for a passionate kiss.

The following day in court, the district attorney reads a love letter from Craig to Eileen, which upsets Terry. During the next break, she tells David that they should stop seeing each other.

Things look bad for Craig when his sister-in-law takes the stand saying that she heard him quarrel with his wife before she fell to her death from a cliff. After the defense presents its case, the jury begins to deliberate the verdict, David is elected foreman.

Will Terry decide to she return to Cleveland and her husband?
Is Graig found Innocent or guilty?

I love all of Ginger's performances. Among the supporting roles, Thelma Ritter delivers as always.


Thelma Ritter did stock theater and radio shows early in her career. Ritter's first movie performance was in the film, Miracle on 34th Street (1947). Her second role, A Letter to Three Wives (1949).Ritter was also cast in the film, in All About Eve (1950), which earned her an Oscar nomination. A second nomination followed for her work in, The Mating Season (1951) starring Gene Tierney and John Lund. Ritter performed steady for the next dozen years. She also performed in many of the episodic drama TV series of the 1950s, such as Alfred Hitchcock Presents, General Electric Theater, and The United States Steel Hour. Later film roles were as James Stewart's nurse in Rear Window (1954) and as Doris Day's housekeeper in Pillow Talk (1959). Although best-known for comedy roles, she performed in occasional dramatic roles, Pickup on South Street (1953) and The Misfits (1961).

Wednesday, November 11, 2009

DOUBLE FEATURE SPOTLIGHT: DIAL M FOR MURDER (1954) and REAR WINDOW (1954)

GRACE KELLY'S performance in HIGH NOON(1952), caught the interest of director Alfred Hitchcock, who, with the help of Edith Head, transformed Grace Kelly, into his idea of a elegant, beautiful blond. She gave Hitchcock wonderful performances in DIAL M FOR MURDER(1954), REAR WINDOW(1954), and TO CATCH A THIEF(1955).


DIAL M FOR MURDER (1954), begins as Margot (Grace Kelly) discusses with the other man in her life, Mark Halliday (Robert Cummings), that she had changed her mind about divorcing her husband. And is convinced, that her husband still cares for her and wants a fresh start in her marriage. She also informs him about a blackmailer who stole a letter that Mark wrote to her, but never picked up the money. When Tony (Ray Milland), comes home, he announces that he has unexpected business to take care of and has to change their evening plans. But insists that Mark and Margot to go on without him. After they leave,Tony makes a call to Lesgate, who has a car for sale. They make plans to meet at Tony's apartment. Tony informs him and that he is aware of illegal activities, in which he is involved and blackmails Lesgate, into agreeing to do the killing.Tony warns Lesgate that going to the police would only backfire.

Lesgate, is to watch the apartment and when Margot goes into the bedroom, he is to enter using Margot's house key.. At the agreed time, Tony will call, and when Margot answers, Lesgate, is to strangle her. When he has finished, Lesgate is to whistle into the phone and hang up. He is to leave the garden window open and put the key under the stairway.

Before Tony and Mark leave for the club, Tony gets the key from Margot's handbag and requests her to stay behind to clip articles for his scrapbook. At the club,Tony leaves the table, saying he must call his boss, but calls home. During this time Lesgate has unlocked the apartment door and put the key under the stairway, he waits inside the apartment. When Margot goes to answer the phone, Lesgate tries to strangle her, but things don't go as planned. Tony, on the other end of the phone line, has to quickly come up with a new plan. He talks into the phone and Margot, hearing his voice, tells him what happened. Later, when the police start to investigate they find all evidence points to Margot letting Lesgate in and killing him because he was blackmailing her. What is to happen to Margot?

Hitchcock arranged to have Grace Kelly dressed in bright colors at the start of the film and made them progressively darker as time goes on.

http://www.tcm.com/video/videoPlayer/?cid=2515&titleId=16707
Click to view theatrical trailers.
http://www.tcm.com/video/videoPlayer/?cid=64870&titleId=87777



THE REAR WINDOW (1954)
Jeff (Jimmy Stewart), a professional news photographer, stuck in a wheelchair with a broken leg from an accident while on assignment. Spends his hot summer days watching his neighbors through the REAR WINDOW of his New York apartment. Dreaming up names for his new friends, like Miss Torso, the ballerina and Miss Lonely Heart, the old maid. One neighbor in particular, seems to have peaked Jeff's interest. A traveling salesman and his bed ridden, nagging wife, who lives in a apartment across the courtyard.

Everyday like clock work, Stella (Thelma Ritter) , his nurse, drops by to prepare his meals and to make his bed. She disapproves of his spying on his neighbors and encourages him to marry Lisa(Grace Kelly). Jeff, insists that Lisa is too "perfect", for his adventurous lifestyle.

In the middle of the night, Jeff hears a woman scream and glass break, but sees nothing outside. Jeff believes that he is a witness to the murder of Mrs Thorwald. Over the next few days they watch Thorwald's, suspicious behavior. Jeff comes up with a plan to write him an anonymous note, asking... "What have you done with her?" Lisa slips the note under his door. What is Thorwald's next move ?

The romance between war photographer Robert Capa and actress Ingrid Bergman is believed to be Hitchcock's inspiration for the movie, REAR WINDOW..