These are my top 10 movie actresses of the 60's and the films that they performed in:
Katharine Hepburn:
1962 Long Day's Journey Into Night
1967 Guess Who's Coming to Dinner
1968 The Lion in Winter
1969 The Madwoman of Chaillot
By the 1960′s Katherine Hepburn had been making films for over 30 years, with 8 Academy Award Nominations and one win. In 1960 she was nominated a 9th time for Best Actress in the film, Suddenly Last Summer, opposite Elizabeth Taylor and Montgomery Clift. In 1963, she again was nominated for a tenth Oscar as Mary Tyrone in the film, Long Day’s Journey Into Night(1962). Then in 1968 and 1969, Kathrine won her second and third Oscar for Best Actress in, Guess Who’s Coming to Dinner, and The Lion in Winter. The 1960′s introduced her to a whole new group of fans.
Video is from: (1969) The Madwoman of Chaillot, which is based on a Giraudoux play about modern society endangered by the forces of power and greed.
Fay Dunaway:
1969 The Extraordinary Seaman
1969 The Arrangement
1968 A Place for Lovers
1968 The Thomas Crown Affair
1967 Bonnie and Clyde
1967 The Happening
1967 Hurry Sundown
Her first film was in 1967 in, Hurry Sundown, but that same year, she got the leading female role in, Bonnie and Clyde (opposite Warren Beatty) which won her an Oscar nomination. Very few actresses started off their Hollywood careers with Oscar nominated roles.
It would be another ten years before she won her Oscar, but in my opinion her greatest role was that of Bonnie Parker in, Bonnie and Clyde.
Audrey Hepburn:
1967 Wait Until Dark
1967 Two for the Road
1966 How to Steal a Million
1964 My Fair Lady
1964 Paris When It Sizzles
1963 Charade
1961 The Children's Hour
1961 Breakfast at Tiffany's
1960 The Unforgiven
Audrey Hepburn, best work may have been in the 1960′s with one of her best known roles as Holly Golightly in, Breakfast at Tiffany’s, or Eliza Doolitle in, My Fair Lady (even though her voice was dubbed in the singing parts). Beautiful, elegant, Hollywood.. had very few actresses like, Audrey.
Audrey's work with UNICEF, made the organization a household name.
Elizabeth Taylor:
1969 Anne of the Thousand Days
1968 Secret Ceremony
1968 Boom!
1967 The Comedians
1967 Reflections in a Golden Eye
1967 Doctor Faustus
1967 The Taming of the Shrew
1966 Who's Afraid of Virginia Woolf?
1965 The Sandpiper
1964 Becket
1963 The V.I.P.s
1963 Cleopatra
1960 BUtterfield 8
1960 Scent of Mystery
In the 1960′s Taylor was known for her beauty, but she also was very talented. She was the winner of the 1960 Best Actress award in the film, Butterfield8 as a prostitute and in 1963′s Cleopatra and in 1966 she won the Best Actress award for the second time for her performance in, Who’s Afraid of Virginia Woolfe. Based on the controversial play by Edward Albee, this noir-ish 1966 drama stars former real-life couple Richard Burton and Elizabeth Taylor, which maybe their best performances.
Video: 1960 BUtterfield 8 movie Trailer.
Jane Fonda:
1969 They Shoot Horses, Don't They?
1968 Barbarella
1968 Spirits of the Dead
1967 Barefoot in the Park
1967 Hurry Sundown
1966 Any Wednesday
1966 The Game Is Over
1966 The Chase
1965 Cat Ballou
1964 Circle of Love
1964 Joy House
1963 Sunday in New York
1963 In the Cool of the Day
1962 Period of Adjustment
1962 The Chapman Report
1962 Walk on the Wild Side
1960 Tall Story
Her stage work in the late 1950's help prepared her for her film career in the 1960s. She averaged almost two movies a year throughout the decade, starting in 1960 with Tall Story, in which she recreated one of her Broadway roles as a college cheerleader pursuing a basketball star, played by Anthony Perkins. Period of Adjustment and Walk on the Wild Side followed in 1962. In Walk on the Wild Side Fonda played a prostitute, and earned a Golden Globe for Most Promising Newcomer.
Fonda's breakthrough came with the film, Cat Ballou (1965), in which she played a schoolmarm turned outlaw. This comedy Western received five Oscar nominations. Soon after she performed in the comedies, Any Wednesday (1966) and Barefoot in the Park (1967).
In 1968 she played the lead role in, Barbarella, directed by her French film director husband Roger Vadim. The film, They Shoot Horses, Don't They? (1969) earned her first Oscar nomination. Fonda was very selective by the end of the 1960s, turning down lead roles in Rosemary's Baby and Bonnie and Clyde.
Video from: Barefoot in the Park.
Marilyn Monroe:
1960 Let's Make Love
1961 Misfits
1962 Something's Got to Give
Marilyn, had no real acting techniques. It was only Marilyn, a "star" and "sex symbol" of the "60's".
Her last completed film, The Misfits, was directed by John Huston and costarring Clark Gable, Montgomery Clift, Eli Wallach and Thelma Ritter. Shooting taking place in the hot Northern Nevada desert. Monroe was frequently ill and unable to perform. Making the film was a difficult experience for all the actors; in addition to Monroe's illness, Montgomery Clift had frequently been unable to perform and by the final day of shooting, Thelma Ritter was in hospital suffering from exhaustion. Gable, commenting that he did not fell well, left the set without attending the wrap party. Within ten days Gable had died from a heart attack. Gable's widow, Kay, commented to Louella Parsons that it had been the "eternal waiting" on the set of The Misfits that had contributed to his death.
In 1962 Monroe began filming Something's Got to Give. It was to be directed by George Cukor, and co-starred Dean Martin and Cyd Charisse.
On May 19, 1962, she attended a birthday celebration of President John F. Kennedy at Madison Square Garden, at the suggestion of Kennedy's brother-in-law, actor Peter Lawford. Where Monroe performed "Happy Birthday".
Monroe returned to the set of, Something's Got to Give and filmed a scene in which she performed nude in a swimming pool. Commenting that she wanted to "push Liz Taylor off the magazine covers", she gave permission for several partially nude photographs to be published by Life. Monroe was dismissed and was replaced by Lee Remick, and Dean Martin refused to work with any other actress.
Following her dismissal, she gave an interview to Cosmopolitan and was photographed at Peter Lawford's beach house sipping champagne and walking on the beach. She next posed for Vogue in a series of photographs that included several nudes. Published after her death, they became known as "The Last Sitting".
In the final weeks of her life, Monroe was planning future film projects, and to continue negotiations on the film, Something's Got to Give.. Among the projects was a biography of Jean Harlow filmed two years later with, Carroll Baker. Starring roles in, Irma la Douce and What a Way to Go! were also discussed. A film version of the Broadway musical, A Tree Grows In Brooklyn, and an unnamed World War I–themed musical co-starring Gene Kelly were also discussed, but the projects were never to be.
Brigitte Bardot:
1969 Les femmes
1968 Shalako
1968 Spirits of the Dead
1967 Two Weeks in September
1965 Dear Brigitte
1965 Viva Maria!
1964 Agent 38-24-36
1963 Contempt
1962 Love on a Pillow
1962 A Very Private Affair
1961 Famous Love Affairs
1961 Please, Not Now!
1960 The Truth
1960 It Happened All Night
Brigitte's, "sex kitten" beauty took the US by storm. In 1965 she performed as herself in, "Dear Brigitte" (1965) with James Steward (she only appeared in one scene).
She prefers life outside of stardom. The Paparazzi constantly hounded her with their cameras. After her life in the spotlight, Brigitte went on to become a leading spokesperson for animal rights and started the "Foundation Brigitte Bardot".
Goldie Hawn:
1969 Cactus Flower
1969 Five the Hard Way (unconfirmed)
1968 The One and Only, Genuine, Original Family Band.
Hawn, began her acting career as a cast member of the comedy Good Morning, World during 1967-1968, her role was the girlfriend of a radio disc jockey, with a stereotype "dumb blonde" personality. Her next role, was as one of the regular cast members on the 1968-1973 comedy show, Rowan and Martin's Laugh-In. On the show, she would break out into giggles in the middle of a joke, and deliver a perfect performance a minute later. Hawn, was known as the "60s It" girl.
Hawn's Laugh-In personaiity was used in the film, Cactus Flower. Hawn had made her feature film debut in a bit role as a giggling dancer in the 1968 film, The One and Only, Genuine, Original Family Band, in which she was billed as "Goldie Jeanne", but in her first major film role, in Cactus Flower (1969), she won an Academy Award for Best Supporting Actress as Walter Matthau's suicidal fiancée.
Sharon Tate:
Sharon Tate had performed only bit parts, but was considered a beautiful and rising actress. Tate met film director Roman Polanski then starred in Valley of the Dolls, followed by, The Wrecking Crew with Dean Martin.
1969 The Wrecking Crew
1967 Valley of the Dolls
1967 The Fearless Vampire Killers
1967 Don't Make Waves
1966 Eye of the Devil
Ava Gardner:
1968 Mayerling
1966 The Bible: In the Beginning...
1964 The Night of the Iguana
1964 Seven Days in May
1963 55 Days at Peking
1960 The Angel Wore Red
Ava Gardner, is thought of as one of the most beautiful actresses of Hollywood's Golden Age. In 1966, Gardner tried out for the role of Mrs. Robinson in the film, The Graduate (1967).
In 1968, she made what some consider to be one of her best films, Mayerling, in which she played the Austrian Empress Elisabeth of Austria opposite James Mason as Emperor Franz Joseph I.
Showing posts with label jane fonda. Show all posts
Showing posts with label jane fonda. Show all posts
Tuesday, July 12, 2011
Monday, January 3, 2011
Friday, November 5, 2010
Barefoot In The Park
Hello all, I have just watched Barefoot In The Park, and feel very much comfortable and relaxed. It's not every movie where you get to see Charles Boyer in a kimono and Robert Redford wearing a bin as a hat. I will now explain my madness.
Barefoot In The Park (1967)
Cast:

Paul and Corie Bratter seem to be the perfect young couple. Bright, enthusiastic, promising futures but when they move into an old leaky apartment, who knows what will happen? They move in, and to start with there are five flights of stairs (not counting the steep front stairs), and whenever they get any deliveries, they have to nurse the deliverers back to health after such an ordeal. Corie's mother lives all alone on the other side of town, and she makes a crazy attempt to set her up with the insane playboy, Victor (Charles Boyer) who lives in their attic. He takes them on a wild journey across New York, on a ferry and to an Albanian restaurant. Hyper and slightly drunk, Corie and Victor run back up the stairs while Corie's mother and Paul struggle up the stairs with nausea. Paul and Corie have a huge fight and decide to get a divorce. Meanwhile her mother is having an "interesting" time getting home with Victor. Will they ever make up?
The Review:
A really, really cute film that reminded me a lot of the Rock Hudson and Doris Day films that they made in the 50s. Robert Redford is so lovely and young in this, and so is Jane Fonda. Did you know (prepare yourself for a long anecdote...) that when Bette Davis and Henry Fonda (Jane's papa) while filming Jezebel (1938) together, he had to leave to go and watch Jane be born, and all of Bette's close ups are to a blank space. She later said to Jane in an interview "Any man who causes me this much trouble and can produce a Jane Fonda I'll do it all over again." The Neil Simon (The Odd Couple) script is yet again genius, and has such funny dialogue as this:
I just can't get over how cool he looks in a kimono. Although he and Ingrid Bergman or Bette Davis might not have got on so well if he turned up in a kimono.
I think Ingrid wins the dramatic Charles Boyer pose competition. All This And Heaven Too is such a good film. I love the way that one of Charles' fictional children calls Bette (She is their governess. Lucky kids or what?) "Mamselle!" Charles I love you. Even if you freak me out.
~Bette
P.S. I found these two great Margo Channing photos the other day, enjoy!
Barefoot In The Park (1967)
Cast:

- Robert Redford as Paul Bratter
- Jane Fonda as Corie Bratter
- Charles Boyer as Victor Velasco
- Mildred Natwick as Ethel Banks
Paul and Corie Bratter seem to be the perfect young couple. Bright, enthusiastic, promising futures but when they move into an old leaky apartment, who knows what will happen? They move in, and to start with there are five flights of stairs (not counting the steep front stairs), and whenever they get any deliveries, they have to nurse the deliverers back to health after such an ordeal. Corie's mother lives all alone on the other side of town, and she makes a crazy attempt to set her up with the insane playboy, Victor (Charles Boyer) who lives in their attic. He takes them on a wild journey across New York, on a ferry and to an Albanian restaurant. Hyper and slightly drunk, Corie and Victor run back up the stairs while Corie's mother and Paul struggle up the stairs with nausea. Paul and Corie have a huge fight and decide to get a divorce. Meanwhile her mother is having an "interesting" time getting home with Victor. Will they ever make up?
The Review:
A really, really cute film that reminded me a lot of the Rock Hudson and Doris Day films that they made in the 50s. Robert Redford is so lovely and young in this, and so is Jane Fonda. Did you know (prepare yourself for a long anecdote...) that when Bette Davis and Henry Fonda (Jane's papa) while filming Jezebel (1938) together, he had to leave to go and watch Jane be born, and all of Bette's close ups are to a blank space. She later said to Jane in an interview "Any man who causes me this much trouble and can produce a Jane Fonda I'll do it all over again." The Neil Simon (The Odd Couple) script is yet again genius, and has such funny dialogue as this:
andCorie: You're very nearly perfect.
Robert Redford drunk with a bin on his head
Paul: That's a rotten thing to say.
Corie: Before we were married I thought you slept with a tie.
Paul: No, just for very formal sleeps.
Corie: Paul, if the honeymoon doesn't work out lets not get a divorce. Lets kill each other.Just a really great film. I can't find any pictures of Charles Boyer in a kimono, but I can find a video! It's quite long, but if you skip to 5:10 that is where the kimono awesomeness starts.
Paul: Why not get the waiters to do it, I hear they have great room service at this hotel.
I just can't get over how cool he looks in a kimono. Although he and Ingrid Bergman or Bette Davis might not have got on so well if he turned up in a kimono.
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| Ingrid Bergman and Charles in Gaslight |
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| Bette Davis and Charles in All This And Heaven Too |
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| After Bette has been told she has to leave the ooshkiminooish children because of her "affair" with Charles Boyer, she has an emotional goodbye with them. |
~Bette
P.S. I found these two great Margo Channing photos the other day, enjoy!
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| Bette Davis' costume test as Margo Channing |
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| Edith Head's design for her cocktail party dress |
Monday, June 28, 2010
Sunday in New York (1963)

Sunday in New York (1963). Director: Peter Tewksbury. Cast: Cliff Robertson, Jane Fonda, and Rod Taylor. The screenplay by Norman Krasna was adapted from his play which had been produced on Broadway the previous year. It was one of Fonda's earliest films.
Airline pilot Adam Tyler, is getting ready to spend a romantic weekend in his New York apartment with his girlfriend, Mona Harris. When they are surprised by arrival of his sister Eileen, who has just broke up with her fiancee, Russ Wilson, because she does not to sleep with him before they are married. After telling Eileen that she has done the right thing. His flight assignment is changed at the last minute and he is unable to reach Mona.
Soon after he leaves, Eileen finds Mona's night gown in her brother's closet and becoming angry at her brothers double standard. She decides to seduce Philadelphia newspaperman Mike Mitchell, after meeting him on a bus. Mike respects her virtue and can not go through with it, even though they are falling in love. While still in their robes, they are surprised by the arrival of her fiancee Russ, who mistakes Mike for Eileen's brother. When her brother returns to his apartment he is introduced as his own co-pilot but goes along with the story, even though he suspects the truth. How will this situation be resolved?
I thought Sunday in New York, was a very charming, romantic, comedy. Performed very well by all the actors. A hidden gem!
Jo Morrow's mother encouraged Jo's acting career by entering her in a "Be A Star" contest. Which Morrow, won a 20th Century-Fox contract (film-debuting in Gary Cooper's Ten North Frederick (1958) and from there moved to Columbia. The 1964 birth of a deaf daughter forced Morrow to choose between movies and motherhood. Although, she made a short comeback in 1970s, Doctor Death: Seeker of Souls (1973) and Terminal Island (1973).
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